KADAMBARI MRITYUNJAY PDF

Biased by the fact that I consider the Mahabharata the best epic ever! Every character has an interesting story, and despite a few supernatural elements, every human character is Human, with all the flaws and strengths, and no one is more so than the protagonist of Mrityunjaya, Karna. Since this review also goes on my blog and there is a slight problem with the spoiler HTML tag on my blog, I have removed it.

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Biased by the fact that I consider the Mahabharata the best epic ever! Every character has an interesting story, and despite a few supernatural elements, every human character is Human, with all the flaws and strengths, and no one is more so than the protagonist of Mrityunjaya, Karna. Since this review also goes on my blog and there is a slight problem with the spoiler HTML tag on my blog, I have removed it.

Please I must start off by admitting that this review may be extremely biased. Please stop reading further if you do not want to be exposed to spoilers. As a kid, I had heard a lot about Mrityunjaya, and seen the book at home, but the fact that it was written in Marathi dissuaded me from touching it.

Even though Marathi is my mother tongue, I have never studied it formally and therefore have a greater comfort level with reading English than Marathi. So a combination of my new Nook, Barnes and Noble gift cards from my company yeah baby! Thanks to an Indian version of Amazon www. And then I lived the phrase "lost in translation" right from the first sentence! However, despite the clunky phrases, I was able to translate it back to what it would have sounded like in Marathi in my head and enjoy the beauty of the book.

Mrityunjaya only deepens it. The book is written from the POV of six characters. Karna opens and takes us closer to the end of his story, interspersed with chapters by Kunti his mother , Duryodhana his best friend , Vrishali his wife , Shon his younger foster brother and a grand ending by the Lord, Sri Krishna himself.

Apart from indulging the semi-autobiography of a fictional figure, Sawant touches on one of the biggest realities of human society, one that has not changed since time immemorial. Even though the protagonist is really the son of the Sun-God himself and as radiant as him, the fact that he was fostered in the hut of a poor charioteer strikes out everything right he ever did in his life.

Sawant also takes a few liberties with the original, but the changes he makes only make the story more realistic. The characters of Vrishali and Shon for example, are given such appropriate voices, that you are left wondering whether Sawant had the fortune of stumbling upon some long lost letters written by them.

One revelation on her part would have brought back his lost glory and honour, although it is commonly believed that the war would have happened anyway. Some day! Despite the atrocities heaped upon him throughout his life, Karna grew to be an invincible warrior , a gentle and fair ruler of Anga after Duryodhana bestowed the title upon him , a loving husband, an indulgent brother, a loyal friend and above all the epitome of generosity.

So generous, that when a poor brahmin comes begging even as he lays dying, he breaks his golden teeth to give them away as alms! While you commend Karna for being a rebel and not succumbing to the unfair norms of the society, you hit upon the obvious flaw in the hero. His egotism. And if that shame, and the resultant blind loyalty to his lone supporter, Duryodhana was the result of his downfall.

The Mahabharata is an epic more complex than anyone can ever imagine. You can discuss, debate and argue about it until eternity, and yet cover only a fraction of it.

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It is conventionally divided into Purvabhaga earlier part written by Banabhatta , and Uttarabhaga latter part by Bhushanabhatta. This novel has an extremely intricate plot which is difficult to summarize concisely. Its central thread is that of a romantic attachment and eventual union between the hero Chandrapeeda and the heroine Kadambari. However, there are several competing subplots; indeed, the heroine does not make her appearance until past the midpoint. Many of the characters appear in multiple incarnations, some as humans and some as demigods or animals. The narration proceeds in a succession of nested frames; a large part of it is a retelling by a parrot of a story which was told to it by a sage.

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